Two Tone Flats

About

Two Tone Flats is a studio-based musical project that bridges the sounds of the past and the present. Led by producer Lex Xander, the band creates music that blends the spirit of the ’80s and ’90s with contemporary techniques. Utilizing analog equipment, classic synthesizers, real guitars, and modern recording methods, Two Tone Flats crafts a rich, textured sound that honors tradition while pushing boundaries.

All releases are digital-only, with no live performances, allowing the music itself to take center stage. Visual storytelling is an integral part of the project, with music videos and visual content created using Blender—all meticulously crafted without the use of AI, emphasizing authentic artistry and hands-on production.

Two Tone Flats is a virtual artist collective for listeners who appreciate the fusion of retro warmth and modern precision.

Releases

Feel

How do we express loyalty in a world of constant change? Sometimes, the simplest message is the most powerful.

Released in November 2025, "Feel" is the latest addition to the twotoneflats catalog. Like many of my productions, it thrives on the interplay between real and unreal instruments—blending organic performances with synthesized textures to create a sound that feels both grounded and expansive. Lyrically, the song moves away from abstract metaphors to explore the core of human connection: the quiet, steadfast support we offer one another. It’s an adult perspective on friendship—not just as a social bond, but as a vital safety net in an unpredictable life.

Visually, I decided to take a minimalist, meta-approach for this release. Instead of a complex 3D world, the video features a custom music visualizer that acts as a live map of the song’s DNA. As each layer enters the mix, the visualizer generates the corresponding words—"synth," "guitar," "bass"—bringing the listener directly into the arrangement. It’s a transparent look at the architecture of the track, letting the music and its message take center stage without distraction.

Lovechock

Can technology capture the nuances of a human heart? After two years of intensive production, "Lovechock" attempts to answer that question.

Developed between 2023 and 2025, "Lovechock" is one of my most complex productions to date. Musically, it’s a rich tapestry of layered guitar arrangements and intricate synthesizer melodies, anchored by a driving real bass and sharp electronic drums. It’s a song built on contrast—the warmth of the strings against the precision of the machine—all serving a central story about the highs and lows of a modern love affair.

The visual production took the technical challenge to a new level. Using the Live Link Face app, I utilized Facial Motion Capture to record real human expressions and map them directly onto a 3D character in Blender. Just like with "New World," the biggest hurdle was the synchronization: aligning the subtle movements of the face with the rhythm and emotion of the audio. It was a painstaking process of trial and error, but it was essential to make the digital performance feel authentically human.

Empty Space

What happens when the party ends, but the feeling of being stuck remains?

The core of this track was written and structured in a single burst of inspiration during the night of New Year’s Eve 2023/24. While the world was celebrating, I was capturing the quiet, reflective side of the holiday. It took until September 2025 to refine the production and complete the visual world that goes with it. Musically, it’s a pure 80s synthesizer journey, punctuated only by a soaring electric guitar solo that breaks through the electronic layers like a cry for freedom.

The lyrics move away from typical party talk, focusing instead on the weight of being "settled." It’s about people who have built a life but now feel trapped in their professional or social roles—feeling lost in an empty space and wondering: how can we get away? The video leans heavily into the Retrowave aesthetic to mirror this escapism. A car, reminiscent of a classic Lamborghini, glides through a landscape of neon grids and blooming lights in shades of purple, blue, and orange. It’s the ultimate late-night drive for anyone looking for an exit.

Loaded

How long can you hold onto a secret? "Loaded" was written in 2018, but it took seven years to finally find its way out of the shadows.

Compared to my other productions, this track leans heavily into a raw, guitar-driven sound. Even though the drums were programmed on a machine, I pushed the production to make them feel "real" and punchy, providing a gritty foundation for the layers of electric guitars and synthesizers. And yes, in an era of radio edits and short attention spans, I decided to break the rules: a guitar solo longer than five seconds? Absolutely.

The story behind the lyrics explores the thin line between intimacy and danger. It’s a warning about the company you keep, encapsulated in the line: "Do you want to kiss somebody with a knife under your bed?" It leaves you wondering—are you being threatened, or are you being protected? To match this tension, the Blender-made video keeps things visually straightforward but builds toward a final reveal. By the end, the ambiguity fades, and you finally see who truly wins the game.

So Good

Can a song wait eight years for the perfect chorus? Sometimes, patience is the most important tool in the studio.

The origins of "So Good" date back to 2017, but for years, the track remained unfinished. No matter what I tried, the chorus never quite landed—until I collaborated with the brilliant musician bene.fau. In a moment of pure creative intuition, he tracked a vocal hook that fit so perfectly, the entire project fell into place almost instantly. Just one week after that session, in the summer of 2025, the song was finally out in the world.

Musically, the track bridges the gap between eras. It blends the grit of real guitars and live bass with the precision of synthetic low-ends and electronic drum machines. This layering reflects the song's core message: a reflection on nostalgia in a world that has become digitally perfect. To accompany this vibe, I created a visual counterpart in Blender that avoids complex storytelling in favor of pure atmosphere. It’s a low-key, aesthetic backdrop designed to let the music breathe. "So Good" is an invitation to stop overthinking, close your eyes, and just lean back. It’s a sonic reminder that some things don’t need to be flawless to feel so good, so nice.

Do It

How much can you say with only two words? As it turns out, quite a lot if you have a Vocoder and a heavy 80s groove.

"Do It" is a deep dive into the minimalist funk of the 1980s, built on a foundation of vintage drum machine sounds and driving synthesizers. The track's core is a single, mantra-like vocal line processed through a Vocoder, stripping away the human element to create something hypnotic and mechanical. To keep the soul in the machine, I paired these electronic textures with the only "real" instrument in the mix: a raw, funky guitar that cuts through the digital landscape.

The visual side of "Do It" was an experiment in abstraction. Using Blender, I developed a series of psychedelic loops designed to pull the viewer into a trance. We filmed real people and instruments against a green screen, but rather than aiming for realism, I used extreme color manipulation to blend them into the animation. The result is a surreal, hybrid world where the performers become unrecognizable, morphing into moving parts of a vibrant, electronic fever dream.

New World

How do you create a 10-minute animated feature with zero prior experience? You learn as you go.

"New World" is the first official song produced by twotoneflats, and its visual counterpart is the result of 18 months of intensive work in Blender. Developed during the 2020/2021 lockdown, this project was defined by the process itself: the steep learning curve, the technical challenges, and the many setbacks along the way.

By blending real-life footage of my family—myself, my son, and my brother—with 3D-animated environments, we created a hybrid reality that matches the atmospheric 80s Rock/Pop sound of the track.

Pictures

Contact

Get in touch with twotoneflats for collaborations, licensing, or just to say hello.

Email: info@twotoneflats.com

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Alexander Strobel
Kirchstr. 28
74889 Sinsheim
E-Mail: alec.strobel@web.de

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Alexander Strobel
Kirchstr. 28
74889 Sinsheim
E-Mail: alec.strobel@web.de

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Kirchstr. 28
74889 Sinsheim
E-Mail: alec.strobel@web.de

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Controller

Alexander Strobel
Kirchstr. 28
74889 Sinsheim
E-Mail: alec.strobel@web.de

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